365KM/H embraces the essence of late capitalism, where both goods and people are involved in cycles of anxiety, production, and consumption. Made from materials typically found in cars – polished leather, industrial plastics, and reflective surfaces – the collection embodies the aesthetics of high-speed collisions. The scene of the performance is a liminal space of disaster and reinvention, a car crash that fractures conventional identities and produces hybrid, fragmented subjectivities. Consumed with a raw allure for destruction, these

new players enter a strange game of hide and seek. 

 

Robert Fenrich is an artist from Zagreb, Croatia whose work pushes the boundaries of image, ambience, and sound. Through non-linear forms of visual narration he experiments with subverting boundaries of fiction and reality, technology and nature, matter and negative space. A frequent motif of Fenrich’s work is the body – technological, collective, hybrid, and mutated – and its relation to space as a terrain of instability and disruption.

 

INDECENT is a continuation of his speculative approach, a platform that explores how fashion may disrupt normative identities while engaging with the problem of sustainability.